Through my prints and drawings I interpret the vanitas genre as a changing, fleeting memory by contrasting line drawn and rendered medical objects in mixed media lithographs. As I reflect on my personal experiences with sentiment, I have found the photographs of my family and friends – the memories I have with these people – to be the most sentimental thing I have left of them. It is the different noises and overwhelming surplus of medical devices that stand out the most in these moments of reflection. This body of work includes a collection of eight lithographic prints that I have drawn on top of with a quasi-still life collage. Symbolically, rendered objects act as a memory that is most recent or concurring, while the line drawings act as a memory that is being lost or fading away. My work serves as a continuation of my vanitas exploration, a psychoanalysis of the effects of the Rorschach tests, and a reflection upon my own grief with familial loss.